Posts tagged: mogollon: a tale of mysticism & mayhem

My Thanksgiving Gift to You – Let’s Go to the Movies!

Hello all! It’s been a huge year for me, publication-wise. I’ve completed all the writing I’m going to do in 2014 and can now tackle what I really love: making movies. People have asked me, “Who does your videos? They’re really good.”

Lil ol’ me, myself, and I, on Animoto. I learned to use Animoto years ago. They deliver incredible quality and I can DO them. I load my images on the Animoto site, select the video style I want from Animoto’s menu, pick music from their library, add text, and push a button. Animoto’s clever computers do the rest. If I don’t like what I get, I push the button again. Voila! Instant genius that even an almost-seventy-year-old grandmother can master.

My Thanksgiving gift to you is a recap of my writing of 2014. You may not know about everything I published this year. The books are interconnected. Free-standing, so you can read just one and get the story, but they are a family. Grab some popcorn and enjoy the show.

THANK YOU! THANK YOU! THANK YOU! For your support and patronage in 2014. I appreciate it with all my heart. Much more is in the pipeline for you in 2015 and future years.

Lots of hugs,

Sandy Nathan

The only problem with Animoto on my computer is that sometimes it’s balky replaying videos. You probably have to play it through once to buffer. We may have the problem because we live out in the country, where ground squirrels carry the images across the fields in their mouths. They are a little slow, especially after large meals. My Computer Guy said to counter this by using Vimeo. (This is my Vimeo account. See ALL my vids!) I’ll attach the Vimeo version,  in addition to the Animoto . Thing is, sometimes it’s balky, too, and it stutters. It’s right below, followed by the Animoto version. The combined show is probably enough to make the ordinary computer explode with excitement. You, too, I hope.

I LOVE TO SEE YOU SMILE – A THANKSGIVING GIFT FOR MY READERS + from Sandy Nathan on Vimeo.

Happy Thanksgiving! This is a day and season for gratitude–and for telling people how much they mean to you. Readers, you mean a very great deal to me.
I love to see you smile and I’ll do my darndest to keep you smilin’.

 

I didn’t win in the 2014 IPPY Awards – neither did 4,900 other people

Mogollon: A Tale of Mysticism & Mayhem (Bloodsong 2)

It’s amazing how the Universe reaches out shows you what really matters. I was getting all anxious about whether or not I’d win anything in the 2014 IPPY (Independent Publisher) Awards. I put my new book Mogollon: A Tale of Mysticism & Mayhem in maybe four categories, doing a shotgun approach and entering it in any category that it might conceivably win. I thought I’d win something. In the past, I’ve won Gold, Silver, and Bronze Medals in the IPPYs with other books. I know my stuff is pretty good, and I think Mogollon is the best I’ve written. The cover is amazing.

These concerns were swept aside when my hands began REALLY HURTING in the days before the 2014 IPPY winners were announced. Do not make the mistake of thinking that itty-bitty joints will only have itty-bitty pain. They can have REALLY BIG PAIN.

I have been blissfully abusing my shoulders, arms and hands for almost twenty years, since I began writing full time in 1995. I wrote in eight-hour marathons, producing torrents of words, book upon book, with no physical problems.  Yes, my shoulders would occasionally refuse to move after a writing session, but nothing prepared me for the full scale physical rebellion that occurred as the 2014 IPPY Award contest approached its close.

When your hands REALLY HURT and you’re wondering how you’re going to produce the ten or so books you’ve got as drafts on your hard drive, or if you’re going to be able to keep doing what you love most in life, how you did in a friggin’ contest pales to insignificance.

* * *

A realization threaded through the tenderness of my painful pinkies: if I pulled a big zero, so did approximately 4,900 other entrants! We are the majority! In any democratic system, we’d be the winners! Even though my focus at the moment is on my digital woes, I realized that many of those 4,900 people might like  a pick me up about the whole thing.  Fortunately, I have an article about losing in contests prepared and ready for you. [I've lost before! ;-) ]

If you feel badly about spending a bunch of money and getting nothing back but heartburn, read and enjoy:

While winning is fun, you can learn a lot from losing. Maybe even more than from winning. The last time I lost big in the IPPYs, I wrote a lengthy true story about what I’d learned from losing in horse shows. I’m linking it here and above.  I’m gonna do a short recap below. I think I’ve got about ten minutes more typing in me for the day. (No, my hands haven’t stopped hurting.)

* * *

What you can win from losing: I’ve ridden horses most of my life. My family operated a  ranch where we bred, birthed, raised, trained and showed horses for twenty years. We still have five, even though we’re in retirement mode.

To show horses and win, you have to be a killer.  Getting a horse trained and in shape for showing, getting yourself in the same shape, learning to ride well enough to perform in the show ring, and handling everything that goes on at a show [your nerves and the horse's] is a HUGE job. Huge. You have to really want to win to master all that. You need to develop “one-pointed consciousness” like meditation masters and martial artists. A horse show championship is the black belt of riding.

The Monterrey Trails Classic Peruvian Paso Horse Show was one of the most prestigious shows in the Peruvian Paso breed. One balmy day, I found myself in the arena mounted on Vistoso, one of the best horses we’d bred in twenty years. A gorgeous bright chestnut (think the brightest red Revlon hair color ), Vistoso was an amazing horse. Beautiful head carriage, collection. Gait up the wazoo. Plus I had a jacket that exactly matched his coat. We were on as we cruised around the ring. That horse did not take a false step the entire class.

AZTECA DE ORO BSN & I AT MONTEREY This isn't me on Vistoso, this is me on his full brother, Azteca. Don't have a pic of Vistoso.

I figured we had it made in the shade. The class was ours.

The announcer began calling out the winners. The way Peruvian shows go, everyone who didn’t win is dismissed first, then the awards are announced lowest place to highest: fifth, fourth, third. Second.

For some reason, they called my number. I got second. What!? Impossible. We were perfect. More than perfect. Way better than the winner. She was a petite woman I knew from hanging out at shows. Her horse was a small liver chestnut. Liver? Yes.

She won. I got royally pi**ed. And stayed that way.

Later that evening, the dinner dance that the show hosted was rockin’. Food, drink, everything. And everyone. Threading my way through the crowds, I ran smack into the judge. She beamed at me and said, “Boy, you really rode that horse this afternoon.”

I’m not a  wimp. I’m a liberated woman. I’ve taught assertiveness trainings. I fired back, “If you thought I rode so well, why didn’t you give me first instead of second?” My eyes were not shooting daggers, they were machetes.

She rocked back and said without pause, “This is a really good show. A second here is the same as a championship somewhere else.”

I left, glad I’d asserted myself. I felt righteous.

* * *

Fast forward to the end of the show season. I was at Griffith Park in Los Angeles, the mega-horse park where our National Championships were held that year. That competition was too tough for me; I didn’t make the first cuts in my classes. With nothing else to do, I watched the show from the stadium. My back went up when that woman, the one  who stole the class from me in Monterrey, rode in on that rotten little liver horse.

I leaned forward, a growl turning over in my throat. She was a petite, slender woman with rich brown hair. Her spine was erect, perfectly balanced as she sat the horse. She held her hands low, almost touching the front of the saddle. Her equitation was plu-perfect.

Her horse, the grubby little thing I’d dismissed, wasn’t so grubby when I looked at him carefully. Liver chestnut is actually a rich medium brown, very correct and conservative. The horse was small and fine, elegant, like its rider. They were a brilliant match of type and style. The animal moved along, relaxed, but alert, and precisely gaited.

Riding is one sport where the better you are, the less you do. You can see dressage riders in the Olympics whose horses are doing unbelievable things, but you can’t see the rider doing anything. The pair before me were like that. Exquisite. There’s good riding, and then excellent riding. This was riding touched by angels.

My mouth fell open. My hands went cold. I didn’t win that class in Monterrey because I wasn’t good enough. I couldn’t see my competition because I was busy riding my own horse. Seeing that woman in that arena told me that she and that little gelding were world class. (In fact, they would win the National Champion of Champions Performance Gelding title later in the show.)

I remembered what I had said to that judge. My cheeks flamed.  I had been so rude to that nice woman. I am still embarrassed about what I said.

* * *

So there it is: I didn’t win because I didn’t deserve to. I didn’t know I wasn’t the best because I was busy riding my own horse and couldn’t see the others.

Addressing my fellow 4,900 “losers”, am I saying that our books didn’t win in the IPPYs because they weren’t good enough? Well . . .

Let’s take a look at that. When you enter your book in a contest, it’s like entering the arena on Vistoso that day in Monterrey. You can’t see the competition. You don’t know how good the other entrants’ books were. And you’ll never know. Remember me mouthing off to that judge when you feel like screaming over your placement. Don’t do something similar and embarrass yourself.

LET’S LOOK AT BOOK CONTESTS. YOU’VE ZEROED OUT AT THE IPPYS THIS YEAR. WHAT SHOULD YOU DO? HERE ARE SOME OPTIONS:

1. Never enter a book contest again. This is a pretty good option. Book contests are expensive. Aside from the cost of editing, proofreading, having my book designed and printed, along with the nineteen (yes, nineteen) years of my life I spent writing my book, Mogollon: A Tale of Mysticism & Mayhem, I forked out perhaps $300 in entry fees for the categories I entered.

Here’s a big question: do indie authors need awards from book contests to sell their books? Let’s look at some of the most successful authors––indie or traditional––of our time. Take John Locke, the first indie published author to sell one million ebooks. What did that get him? A lot of money and a contract with Simon & Schuster, one that he designed that meets his needs.  And then we’ve got Amanda Hocking, who parlayed her young adult series into millions of book sales and dollars, and a contract with St. Martin’s Press. Darcie Chan, who published her book as an eBook after being rejected my the major publishers. She’s probably getting close to a million eBook sales by now and is a NYT Bestselling author, not to mention having a lot more loose change. What list of successful indies could leave out JA Konrath, the father of the “you can do better publishing it yourself” movement.

Did any of these people use awards from book contests for independent presses as their springboards to success? No. Did any of them enter such contests? Not that I know of. (I don’t think they do blog tours, either.)

From these success stories, it looks like not entering book contests may increase your chances of success. Figuring out how to effectively sell your book is way to go.

2. Say you want to win prizes and enter more contests. What then? I’m like that. A compulsive competitor. I like to say, “Hi, I’m Sandy Nathan, award-winning author. I’ve won . . .” I like stickers and medals and certificates. I like to increase the number of wins I’ve got and post the new totals all over. Look at my website, for Pete’s sake. If that isn’t ever conspicuous flashing of glitz I don’t know what is.

You’re like me, you didn’t win the IPPYs this year, but you want to try again. Read the linked article and do what it says. This is my famous “What I do to win book contests” article. Do all that and enter your new book next year. [Caveat: you don't need to include press kits anymore, so putting together a winning entry isn't as awful.]

Or–change contests. The IPPYs are a huge, prestigious contest, like the National Championships I described above. Are you up to that competition? If you don’t think you you can make it in the rarefied atmosphere of the IPPYs, pick a different contest. My article on how to win book contests has links to some very nice smaller contests. Maybe one is just perfect for your book.

3. If my recitation of what you actually get out of book contests tells you there’s no sense at all in entering, try picking a contest with really good prizes. Good prizes are a reason to compete even if you see no reason to enter anything after my little pep talk above.  The National Indie Excellence Contest has killer prizes for the top books in the competition. Check ‘em out on their web site. They have regular winner and finalist prizes for the various categories, but the overall winners get stuff like thousands of dollars of services from top publicists.

The Angel & the Brown-eyed Boy

The Angel & the Brown-eyed Boy (Earth’s End 1) This is The Angel's original cover, which won the Gold.

4. What does winning  mean?

A WINNER! In 2011, I was thrilled and delighted when my book The Angel & the Brown-eyed Boy won the Gold Medal in Visionary Fiction at the 2011 IPPYs. I’d won in previous IPPYs, but never a Gold.

The Angel & the Brown-eyed Boy is the first book of the Earth’s End series. The series is a fantasy/sci-fi/visionary fiction tale about people pushed to the literal ends of the earth. In The Angel, nuclear holocaust looms as the characters work to mend their past “business” and figure out how to survive the destruction of the planet.

The Angel is a good book. It’s an important book treating the possibility of nuclear weapons destroying our world, as well as what can come from an economic disaster which is not successfully resolved. It’s beautifully produced and has a killer cover. I like this book very much.

 

 

Lady Grace & the War for a New World

A LOSER! Lady Grace & the War for a New World is the second book in the Earth’s End series. I entered it in the 2012 IPPY Awards. Lady Grace sets out what happens to a small group of survivors of the nuclear war as they begin to create a new world. Every book professional who has touched Lady Grace has told me that it’s not just better than The Angel, it’s way better.

“Your pacing, the plotting, the characters––all are terrific. This is the best writing you’ve done.” That was my editor, who is one tough cookie. Others professionals said the same sort of thing: I’d hit my stride with Lady Grace. I knew it, too.

How do you tell when you’re getting accurate feedback? A woman who told me she’d hated everything I’ve written called me babbling in rapture after reading Lady Grace “It’s fantastic, Sandy. It’s the best book I’ve ever read. How did you do that? Where did you come up with all that?” And more, she went on and on. I loved it.

So, even though everyone loved Lady Grace and it was a better book than the Gold-winning Angel, it got Zippo in the 2012 IPPYs. A big nothing. However,  Lady Grace’s original cover sucked. It was a case of me directing my designer too much and in the wrong direction. We changed the cover and title. Voila! A repackaged book that’s way better that the WINNER! But it’s still a LOSER!

 

Mogollon: A Tale of Mysticism & Mayhem (Bloodsong 2)

ANOTHER LOSER! Mogollon: A Tale of Mysticism & Mayhem is the best book I’ve written, in my opinion.  My little band of fans also says it’s the best book I’ve written. It’s got a killer cover with Rick Mora, a famous Native American actor, model, and philanthropist on the front.

 

SO WHAT ABOUT JUDGING? I’m not doing the snotty thing that I did to that poor judge in Monterrey.  I don’t know what the competition was in 2012 or 2014, or what the competition was in 2011 when The Angel won the Gold.

It’s just really weird to me that a lesser book should win the competition and a superior ones not even place. Did the judges read it? Maybe totally different judges were working in 2012 and 2014, and they had different preferences. A lot of things could have happened, and some of them must have.

What does the judging mean? What do you win when you win? Are the winners really the best books? What does an award mean?

The more I think on these things, the more I tend to agree with my husband. Maybe twenty-four awards is enough.

So, to the 4,900 friends and fellow campers who did nothing in the  2o14 IPPYs, we’ve finished our romp through Book Contest Land. I don’t know if I made you feel any better after your non-award, but maybe I made  you more thoughtful.

HERE’S BREAKING NEWS ON THE POWER OF BLOGGING AND THE INTERNET: I posted the article you’re reading and thought nothing more of it. A few days later, I Googled 2014 IPPY WINNERS and was stunned to find that my blog article was the #6 ranked entry, with only posts by those who ran the IPPY Awards above me. I Googled again the next day and found my article was #5th and #6th listed out of a total of 247,000 results. It was ranked above ALL THE WINNERS and the gigantic GOODREADS! I’ve got it on my Facebook pages, asking people to share. (If  you’d like to share this blog article, I’ve got a share mechanism on the page somewhere. Have a ball!)

Remains to be seen how this will shake out, but losing that contest may be the biggest break I’ve had!

So long friends, win or lose–blog about it!

HERE’S THE EVIDENCE: A SCREEN SHOT OF MY YOUR SHELF LIFE ARTICLE VERY CLOSE TO THE TOP:

HERE'S PROOF: ;MY ARTICLE ABOUT LOSING GOOGLES #5 AND #6 ABOVE ALL WINNERS AND GOODREADS!

So long for now! Keep losing, everyone! The company’s great and you may get lots of recognition from it!
Sandy Nathan: My old, really cool website with all the award stickers and a free eBook download through May, 2014!

My New, Interactive Website

 

Do You Outline or Write by the Seat of Your Pants?

I write by the seat of my pants and I don’t outline. Those words make me cringe. They’re a recipe for mediocrity without a few qualifying sentences. Maybe more than a few.

I’ve written all of my life, academically and professionally. My writing got high marks and was well received by my professional peers. Does that mean I was a good writer?

Absolutely not. In 1995, I began writing nonacademic fiction and nonfiction full time. In that year, I had a cataclysmic and extremely painful personal breakthrough. The idea for an entire series of books was “injected” in my head almost instantly in a healing transcendental breakthrough. I had had big experiences before, but I’d never had one associated with writing.

A lot came with that Big Bang of the mental/spiritual type. With the idea for the series, I received the self-discipline to finish my books and see them in print. The discipline to finish was a big thing. Before that experience, I’d started dozens of books only to peter out about chapter three. Not any more. I’ve got six or seven award-winning books in print and eBook form. The just-released Mogollon: A Tale of Mysticism & Mayhem is the second book in the Bloodsong Series. Another  Bloodsong book or two will be out in 2014.

In 2007, another personal tragedy resulted my writing in the Earth’s End Trilogy, my dystopian sci-fi series.

Mogollon (Bloodsong Series 2) A great Native American shaman meets the richest man in the world. Hot off the presses!

Mogollon eBook

Earth's End Trilogy - Three Books in One Giant eBook. Winner 7 National Awards

Earth’s End Trilogy eBook

How did I do that? I employ a writing technique I call “literature through disaster.” Giant personal catastrophes jar my depths and somehow kick out ideas for books. And more books. After these ideas appear, I’m able to cut through procrastination, writer’s block, laziness, fear, and all the other demons that bedevil writers. The impetus for the writing outflow is very painful emotionally, but I’m able to finish books, including all the very hard work involved in getting them into print.

It’s a personal gift, literature through disaster. I don’t think you really want this gift, but it’s how I work. What I get when I have one of these experiences is a gestalt, which means a big, integrated hunk of meaning, images, feelings, memories, and physical sensations delivered as a whole. The gestalt is more than the sum of its parts.

Bazaam! An entire book pops into my head in a second. I don’t have to outline it; I just write it down.

Carl Jung on the cover of Psychology of religion & Synchronicity by R. Aziz

In a blog article, I discuss Jungian personality types as they apply to writers. This is very important information for scribblers. What I have just described is how an intuitive type creates. A thinking type would do things very differently. The rational and orderly thinking type is most likely to write with elaborate outlines and methods of tracking his/her work. That’s how a thinking type operates. The other two types––sensate and feeling––might or might not outline, depending on how they’ve learned to be creative and successful.

A sensate, for whom physical sensation and the present moment is important, might outline as a way of creating structure. Think football players and sports types when you think sensate. The feeling type, interested in relationships, and orientating him or herself with feelings, might outline a book as a way of providing a logical structure that is hard to muster internally. The romance genre is to province of feeling types.

I don’t outline. I get big, intuitive explosions occasionally that provide me with years’ worth of writing material. I just write it down. Does that mean I spend my days floating in a swimming pool, chugging down Margueritas while thinking positive thoughts?

No. I work really hard, seven days a week. What I didn’t say when I said I don’t outline is that I spent nine years in a writing group run by a local poet. I spent an additional two years in a writing group run by a professor of literature and English. I’ve spent the last seven years working with an excellent content editor. She’s tougher than all of them. I know when may editor gives me a manuscript back, it won’t have an extra word.

I’ve internalized her comments and apply them automatically when I write. “Your point of view is wandering. This doesn’t move the story forward. Why did he/she do that? Shorten this. Give me more on this. The totally leaves me cold. I don’t understand this part.”

I’ve got my own writing group automatically functioning in my head.

In Outliers: The Story of Success, Malcolm Gladwell says that individuals require 10,000 hours of practice of a skill to become outstanding in it. He cites all sorts of examples from the Beatles to Bill Gates. My experience in writing (as well as riding horses) indicates he’s absolutely correct. You must spend your hours in the saddle before you can ride the horse.

As a writer, you can’t just not outline. You have to train your mind to order and discipline the words coming out of you. You have to learn to feel the flow and pacing of plot. Outline or not, you have to work like crazy. And you have to have your work edited by as good an editor as you can find. Maybe do a couple of go-rounds of content editing. Then you have to have your work copy edited and proofread.

If you want to sell your stuff, you have to do the work. Otherwise, you’re perpetrating garbage on your fellow human beings and contributing to the sorry reputation of indie publishing.

So. I don’t outline. I write by the seat of my pants. It’s really hard work and I’d do it another way, but I don’t know how.

Do what you have to do.

Image of Sandy Nathan Sandy Nathan, Sandy’s Website, Sandy’s Amazon Author Page

 

 

 

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