I’m very pleased to welcome guest blogger Eugenia Lovett West. Eugenia has written two enthralling mysteries. The latest, Overkill, came out in December ‘09. I don’t know many people of any age who have accomplished what Eugenia has––so let’s hear what she has to say.

Eugenia Lovett West

Hi, Sandy. Thanks so much for asking me to blog about starting a career late in life. I hope my story will encourage writers of any age.

After a publishing gap of nearly thirty years, I decided to have a go at the mystery genre. When the rejection slips made too big a pile, I switched gears and self-published the manuscript as a Christmas present for family and friends. The praise was so heartwarming that I entered it in the St. Martin’s Press Malice Domestic contest for first mysteries. Months went by. Out of sight, out of mind.

Then one beautiful morning in June 2006, I sat down at my desk and turned on the computer. There, leaping from the monitor, was an email from the renowned St. Martin’s editor, Ruth Cavin. The book was too international for the contest, but she liked it and offered me a contract for two books.

Believe me, I levitated. For a wannabe published writer with nose pressed against the glass, it doesn’t get better than that. Without Warning was published by St. Martin Press Minotaur in 2007, but I wasn’t about to advertise my age for fear of losing younger readers.

Overkill, the second in the Emma Streat series, came out in December 2009. At this point it felt comfortable to come out of the age closet and admit to being 86. (Note: my editor Ruth Cavin is even older.)

When did I start to write? There was always a fascination with words, no doubt inherited from a long line of preachers and teachers. I had two undistinguished years of study at Sarah Lawrence College, and then a short career at Harper’s Bazaar and the American Red Cross. In 1944 I married a dashing fighter pilot flying out of England with the 8th Air Force. (We had been married 60 years the day he died.) Then came four children and volunteer work.

At last the youngest child was at school all day and there was time to try putting words to paper. Feeling important, I rushed around being a roving reporter for local papers in New Jersey. Journalism was great training and great fun, but suddenly churning out three hundred words wasn’t enough. Why not three hundred pages?

The first book was a disaster. Trash. I tried again, using a sugar plantation in Jamaica WI as a setting. The Ancestors Cry out, an historical suspense, was published by Doubleday and Ballantine.

Why did I start over with mysteries? Partly because they are my favorite escape reads. We know that good will always trump evil. We feel the power of the great absolutes––death, retribution, and punishment. Often there is a nice balance of plot, background, and characters, all moving along at a fast pace, teasing the mind. But, I soon learned that there’s a vast difference between reading and writing mysteries. This is a genre with strict rules: There must be red herrings, clues dropped at strategic points, and a surprising villain.

Sandy, you ask how my characters evolve. The answer is: with a lot of angst. It was hard to create, out of thin air, the main character in a series––the one who is going to investigate the hair-raising disasters. In multiple revisions, my protagonist was named Molly, Maggie, Tory, and finally Emma. She was age 60, then dropped to a median 47. I’m an opera fan, so Emma was once a rising young diva who lost her voice. Luckily, my life (so far) has not included murders, but I knew about being a hands-on mother. And, as the wife of a CEO, I could draw on travel experience––first class or private jet to places like London and Paris.

By now I have come to love my elegant, gutsy Emma. I feel I know her as well as, even better, than my own daughters and I want readers to care about her. This woman has had to dig deep to find strengths to survive, bring criminals to justice, and work thought complicated love interests. Like Emma, we are all, I think, reaching for ways to live out daily lives with strength and courage.

What are the trade-offs of being an older writer? There are pluses to high mileage. We have been around, observed people, gained insight. After endless hours of applying the seat of the pants to the seat of the chair, a style evolves. It’s easier to sense what is wrong about a phrase or a character. He/she would never have done that. Eyes never fall to the floor. Like cooking a stew, we throw in all these experiences, stir well, and  hope it’s a winner.

The downside? Even with good health, maintenance of the aging chassis cuts down on valuable writing time. There’s a sense that every day must count. I wish I had experimented with different genres in my twenties. And––I have to keep reminding myself that Emma is of a different generation. To keep current with trends, I rely on daughters and nieces.

As for future plans, children, grandchildren, and extended family take priority, but there are two ongoing projects. One is to put the final touches on an historical suspense novel. This is set in the American Revolution, and focuses on intelligence operations, spies, and threats on George Washington’s life.

The second project is, of course, the third Emma Streat mystery. Right now, new pictures are running through my head like a film, but my goal remains the same: Story is key and it must move fast. I want to catapult readers into a world of strong people working out their problems, a global thread, and high-end settings. Escape is important. I love hearing that my books helped someone through a bad time.

It’s true, I think, that age and creativity can exist happily together, but for the older writer, creativity is a real blessing. It’s great to wake up in the morning with work to do––and it can be accomplished just sitting at a computer.

OVERKILL by Eugenia Lovett West

Eugenia Lovett West’s website.

You can buy OVERKILL, An Emma Streat Mystery, and WITHOUT WARNING on Amazon and at bookstores everywhere.

Operation Desert Swap

Operation Desert Swap provides a way for authors to support our troops with more than bumper stickers. If you are an author and join Operation Desert Swap , you’ll be paired with a soldier. You’ll send him or her a copy of your book. You’ll also agree to write “your” solder at least once a month, send him or her at least one care package during deployment, along with a Christmas card and possibly a birthday card.

The soldier receiving your book agrees to read it and pass it on to others when finished. The book will be passed on and on, and on, as long as it holds together and keeps people interested.

I was moved to join Operation Desert Swap because it provides a hands-on way of supporting our soldiers. I look forward to perhaps providing motivation or an uplifting word to people in the most difficult of circumstances. Could I make a difference to someone whose life is on the line to defend me and our civilization?

That’s what I’m going to try to do.

I also wanted people in the military to read my book. It’s about warriors––warriors in the corporate and personal world. Courage is required for daily living. I hope the book makes a difference, too.

If you’re interested in Operation Desert Swap, click away. Links take you to their web site. Here’s info about what’s required. You must become a member of ODS to participate, which means signing up for their site.

If this program intrigues you the way it does me, I urge you to join. All books will be mailed on the same date: October 23, 2009. ODS is getting organized to pair authors and soldiers, so I urge you to act quickly and join the effort.

The site has author forums and ways for us scribblers to communicate––you’ll get to meet some interesting and committed people like yourself.

Hoping to “meet” you with Operation Desert Swap!

Award Winning Author of Numenon & Stepping Off the Edge

All the best,

Sandy Nathan

Cookies make a difference. These are French macaroons, or Luxembourgers, made by Burdick Chocolates of Northhampton, MA. Photo courtesy of Burdick Chocolates.

I recently posted an article by super publicist Susan Schwartzman about working with a publicist and the importance of sending cookies once in a while.

This seems like a small thing––maybe even a bribe––but it’s not. What Ms. Schwartzman introduces is the very large topic of use of influence. Use of influence means what authors can do to maximize their impact in an intensely competitive world. Ms. Schwartzman’s message applies not only to publicists, but to everyone the author touches in a publishing endeavor.

The author’s problem is BEING NOTICED. Whether self published or published by the majors, an author needs to get the attention of  his or her literary agent, book shepherd, cover and interior designers, publisher, publicist, editor, and especially intended readers.

Can you do it? Don’t think the quality of your book alone will catapult you to the front lines––you need negotiation skills here. You need communication skills and more.

Do you know how to listen to another person and deeply understand that person’s point of view? Can you send messages about your wants and needs that don’t feel like threats? Can you formulate a solution to the problem that benefits all participants?

If you can’t do these things, take a communication skills course. Add a negotiation skills course on top of that. You don’t have to spend a fortune doing it––most community rec departments offer them. Local junior colleges and high school adult ed departments give such courses. Learn personal skills, in addition to “How to write a perfect query letter.”

I once led a T-group at Stanford’s Graduate School of Business. A T-group is like a therapy group, except it focuses on personal skills as they impact business situations. Studies have shown that students who do well in T-groups at the major business schools excel in their professional and personal lives. These are the movers and shakers: They make the most money and win life’s prizes.

The professor in charge made a devastating comment: “If you can’t motivate this group, how do you expect to attain your life goals?”

If you can’t move those closest to you, how to you expect to end up the CEO of a major corporation? Or save lives in Africa? Or get anyone to read your book, much less buy it?”

How can you motivate others? With cookies.

Of course, your publicist will work hard for you without them, but how do you make sure your job is the one that gets done at the end of the day?

Good manners is part of it. Assertive good manners. [Take an assertiveness training, too.] I’ll go over assertive techniques in later posts. Be kind and understand the point of view of the person you’re dealing with. That’s why I liked Susan Schwartzman’s article so much: Though she’s a top publicist, she reveals herself as a person in her blog post.

[Nathan Bransford is a blog writer who gives his audience a clear view of what a literary agent's life is like. This is very useful information for one attempting to be represented by an agent. Mr. Bransford talks about the joys of coming to work on Monday and finding 400 queries in his in-box. How do you approach someone in this situation? This is an opportunity to practice communication and negotiation skills.]

Life as a publishing industry professional is rough. How does one keep going?

Raj looks cute, doesn't he? Hah! This 30 pound dog flipped an 80 pound Aussie on her back and terrorized a German shepherd.

Cookies really help. Positive reinforcement, behavioral psychologists call it. Here’s a story about positive reinforcement, also known as operant conditioning.

As a lifelong horsewoman, I’ve known about positive reinforcement for a long time. The “horse whisperer” type trainers use it. But when we got a “special needs” Cocker spaniel from the pound, I understood the real power of positive reinforcement. [Click for an article about this problem dog.]

Raj was a frigging nightmare, the attack Cocker from hell. Within days of our rescuing him, he’d terrorized our much larger dogs and dominated our household. He made me a nervous wreck and caused my husband to rave about sending him back from whence he came. So what if they’d off him? He was killing us.

In desperation, I called my vet, who said, “Call Amanda!” Amanda is a dog trainer who uses only positive techniques. She was so nice that I couldn’t imagine her handing an aggressive dog, much less our stone cold killer.

Raj adored her. By the end of our sessions, she had him eating out of her hand (not eating her hand). He became a positive member of our social unit. Today, the human and canine Nathan pack loves Amanda––and Raj. [I wrote a series of articles about this transformation. Here's a link.]

What was the secret? Amanda rewarded-–in a currency that the Raj appreciated (bits of hot dogs)––everything he did that was desirable and IGNORED the rest. This sounds like it would take forever, but it’s actually very fast.

Find the currency the person you’re relating with wants and give it to them. (Subject to moral and legal constraints, of course.)

POSITIVE REINFORCEMENT IS 9 TIMES AS EFFECTIVE AS NEGATIVE. (Maybe even more. I forget the statistics Amanda cited.) Praise, cookies, acknowledgment, kindness––all of these work better than hostility, blame, rank pulling and abuse, physical or verbal abuse.

You can get noticed being a bad guy. Poor Sumo was so scared he wouldn't get out of the cart when Raj was around. Is this good? No. Raj is lucky he's alive.

You’re in a negotiation called life. You want your world to notice you. You can get noticed by being the meanest, most foul mouthed, bad-patootie on the block. By getting full-body implants and flaunting them. By setting yourself on fire in public––metaphorically or in reality.

Do these tactics buy you what you want? Why not figure out what those on your team want and give it to them? Why not figure out what the guys on the other team want and see areas of commonality? Why not use all your skills, including those of your heart and soul, to attain your goals?

Cookies are a tie breaker. Give cookies and you’ll get noticed in a positive way. Undoubtedly, the good wishes and intentions behind such gifts are what motivate theor recipient to expend that little extra bit of energy––that puts you in Time Magazine.

One more story on the value of positive reinforcement:

My daughter Zoe went to school in New York.  On one trip home, her plane had some problem and was taken out of service.  Everyone had to be rerouted. It was a mess; inconvenient, irritating.

Zoe stood in line at the airline’s counter and watched her fellow passengers REAM the airline employee who was working hard to put them on different, hopefully functional, planes. They acted as though the employee had personally disabled the first plane.

When she finally reached the desk, Zoe said, “Everyone’s acting like it’s your fault, but I think you’re doing a great job. Thank you!”

The woman gave her first class tickets all the way home.

You think cookies matter?

Award Winning Author of Numenon & Stepping Off the Edge

Sandy Nathan
Award winning author of Numenon and Stepping Off the Edge. (And negotiation coach, as well as teacher/coach of communications and assertiveness trainings!)

Would you like some of the cookies up top? They’re all the rage in Paris––lines form to purchase “les macarons”––and now Burdicks is shipping them! These hand-piped, tender meringue treats are filled with flavored buttercreams. All natural flavorings of chocolate, coffee, pistachio, raspberry, lavender, almond-citrus and ginger. The assortment of fifteen is presented in a unique polka-dotted box. Click here for a review. Click to go to  LA Burdick Chocolate’s website to order.

It was just a bad day, okay? Not the end of the world, really.

Blogging the rewrite of my novel,  Mogollon:

Yesterday morning I woke up with a red hot love scene from Mogollon raging in my brain. I’m rewriting my manuscript and realized what I’d written previously was NOT ENOUGH. The scene demanded fleshing out, so to speak. I piled down the stairs full of enthusiasm, the words crackling through my synapses. I pulled up the Word file and sat with my fingers poised over the keys, ready to let ‘er rip.

I heard my husband on the phone in his office. He was using his business voice.

“I’ll get her. She’s right here.”

No. I’m not right there. I’m busy. Not available.

But it was our distributor. She needed a forty word description of my award winning book, Numenon, to go to Ingram NOW. (Ingram is one of major book wholesalers and our entree in to bookstores.) I’d known about the need for the synopsis, but I’d forgotten. OMIGOD. I jumped onto that task, love scene pushed into the background. (This is the joy of independent publishing: You get to do it all.)

In many ways, describing a book in 40 words is harder than writing it in 100,000.

Some time and many versions later, I zapped the thing off to her. While I worked, my husband asked our distributor why Barnes & Noble (corporate) said we aren’t in their system. The distributor said we are, and gave us some tips about approaching the corporation for a broader relationship.

“Write a one page letter of intent and a one page marketing plan, send that and your marketing marterials to their corporate headquarters.” (Those materials are a “one sheet” and some other pretty stuff. A press kit. Things that took many hours of work to create.)

Mark Twain once said, “I sat down and wrote you a long letter. I didn’t have time to write a short one.” Shorter takes much more effort. I wonder if he ever wrote a one page marketing plan?

“I can’t do it NOW!” I shrieked to my husband. “I’m trying to write a love scene!” My steaming characters were about to riot in my head.

I did take time to look at BN.com and discovered that both my books are listed there and I have a profile set up already. What was the problem we were having with BN corporate???? Argh. I noticed that BN.com has a lot of cool book groups, so I joined a few, then wrote a long introductory post about myself on the Religion & Spirituality group. I unfortunately punched some button and erased the whole thing. Screaming, I rewrote and posted it.

This was on-line marketing, after all, not a bloody waste of time the way it seemed.

It’s hot in California, anywhere but on the beach. You know that, yes? We don’t live on the beach. The thermometer had hit about  100 by this time and my brain went south. I began to obsess on my current life puzzles: Should I divide Mogollon into three normal sized books or should it come out as a phone book sized tome that no one can lift? What should I do to with the rest of my life? Or just that afternoon?

I wrote to my editor. She wants to talk to me. I was losing it, I know.

But not as badly as the lovers in the scene that I didn’t write. If you think I’m frustrated …

I don’t know about other writers, but I tend to turn into Sandrina the Witch at such times and turn my malice on––oh, everyone around, but especially myself.

Snake-eyes, a cow skull painted and decorated by moi. This is one of the things I've done when not writing. That's a California king snake slithering down the skull. Painted version.

So yesterday was a bad day. I wrote one friggin’ paragraph of the love scene before emerging into the light and air of real life and going to a barbecue/concert the local health store puts on every Thursday.

That helped. Seeing people, hearing the tunes, catching the rhythm. Eatin’ the sauce.

Life exists without writing. Professor Leonard Tourney, who led a terrific writing group that I was lucky enough to be art of for  couple of years said words to the effect of: “Not everyone can’t sleep at night because they haven’t been published.” Or have been published and are trying to do it again.

It takes a special kind of person to be that nutty.

If you’re as frustrated as your characters, take a hike. Get some air. Write about it tomorrow. Which is today. Now.

Sayonara, amigos and amigas.

Sandy Nathan

Sandy Nathan, award winning author, rides her horse for the first time after having her ankle fused. Little did she know that getting over writer's block would be harder.

I wrote an introductory article on unlocking writers block a few weeks ago. (The one illustrated with photos of us trying to get a horse into a trailer.) After three weeks of vacation in New Mexico, I’m home and happily and productively working on the rewrite of Mogollon, sequel to my award winning novel, Numenon.

What did it take for me to break through the dreaded block?

Well, I stepped in a rut in the driveway with my fused ankle about three days into my vacation and spent the next two weeks in great pain and unable to walk. Before that, I had in a kidney infection along with a major flu.

That’s right, I had a kidney infection at the same time as the flu.

Is suffering necessary to break through writer’s block?

Was for me.

I put a longer and deeper write up of my experience these last few weeks on my personal blog (SandraNathan.net). Here, I summarize a few key learning points that may help you deal with your dragons:

1.    Accept and surrender. If you’re unable to write what you want, or reach the depth that you know you’ve got with your writing, acknowledge it. You don’t have to like it or embrace it, just accept the fact you’re blocked. And surrender to the fact. Journal about it. Write a blog article or entire book about it.
2.    If you don’t accept your blocked state and surrender to it, you can search the Net for tips and techniques to deal with writer’s block and paralysis. You’ll find lots: Try them all. Maybe they’ll work. Chances are they won’t. When you discover this, accept your block and surrender to it.
3.    Hit bottom. I did this in my idyllic New Mexico escape, bruised ankle propped on pillows and my foot and lower leg––all the way to the knee––looking like an angry eggplant. That was after I got over the kidney infection and flu.
4.    Truly give up. Hand your whole life over to your Higher Power. If you don’t have a Higher Power, make One up.
5.    Note that the universe really is in control of your life, not you, despite what The Secret says. Healing is a combination of grace and self effort. When you surrender, the spooky stuff starts happening. For instance, when I finally hit as bottom as I’ve been in recent years, I decided to read by book club’s selection for the next month, which was:
6.    Left to Tell: Discovering God Amidst the Rwandan Holocaust by Immaculee Ilibagiza. This best-selling book tells the story of how Immaculee Ilibagiza survived the murder of one million of her fellow Tutsi tribe members by rampaging Hutus. She hid in a 3 X 5 bathroom in Rwanda with 7 other women for 3 months. This book is a miracle, the finest example of contemporary Christian mysticism I have read. It jolted me into contact with my spiritual roots and provided the ground of my healing.
7.    It’s also evidence that writer’s block is not the worst thing that can happen to you.
8.    Neither are low book sales.
9.    You don’t have to be obsessed with your on-line sales, the number of blogs you write on, your web site stats, or anything about the world of writing.
10.    Life would go on if you never wrote another word.
11.    You might even enjoy your life more.

Freedom is letting go of attachment and aversion. No more: "I gotta have it," alternating with "I'd better run from him/her/it." Freedom is our birthright.

This is freedom. Once you attain this knowledge that you don’t need to write and the inner state that goes with it, the fountain of creativity inside of you may start to bubble again. You may get new angles for the book you were working on. You may WANT to write. You may be able to write.

Or not. You may want to run screaming from the literary world.

Try my method: Drop everything. Get to a dead stop. See what your soul says to you about your writing and your life. Do what it says.

I’m back at work writing, but in a different way. No more pounding the keyboard until my shoulders won’t move and my wounded ankle feels like it’s poured full of molten lead. No more obsessing.

I’m doing things differently and letting the immense love and good will of the universe carry me forward. If my stuff is supposed to sell, it will because people find value in it––and in getting to know me.

In God we trust, right? That’s the title of that other article I wrote about my recent three weeks of high altitude spiritual regeneration in Santa Fe.

Two more tips that could radically improve the level of peace in the world and might even help your writer’s block:

1.    Watch where you put your feet. If you watch where you put your feet, you won’t step in it. It can take many physical and metaphorical forms. The rut in the driveway that nailed my already screwed-down ankle taught me the wisdom of simple truths: Watch where you step.
2.    Keep your ankle above your heart. This is a variant of an Eastern spiritual practice. In Eastern religions, worshipers pranam, bow, to their gurus, sacred objects, or representations of deities. The pranam involves either going down on one’s hands and knees and touching one’s forehead to the floor or a total prostration, lying face down on the floor with your hands over your head––a full pranam.

The pranam honors the sacred and forces one to put one’s head below one’s heart. That is, a pranam puts the rational, judgmental function of the intellect below the empathetic, intuitive, compassionate function of the heart. This is a good thing. Few people get in trouble because they’re too compassionate.

My episode with my ankle indicated that keeping your ankle above your heart can be an equally powerful means of attaining surrender, peace and nonviolence. Could those Hutus have murdered all those people if they’d kept their ankles about their hearts? No.

You can’t do much lying on your back with your ankle above your heart. This posture does provide a perfect opportunity to catch up on the meditations you’ve missed since you started writing seriously twenty years ago. You can contemplate existence like crazy.

With your ankle above your heart, your ankle’s swelling will go down, and so may that of your head. It’s a humbling thing, lying with your leg in the air. Humbling enough to allow your soul to talk and tell you what it thinks of the way you’ve been living.

Your soul may point out certain deficiencies in your behavior that have contributed to your inability to write anything but checks. Your soul may suggest alternative behaviors. In my case, if I didn’t run myself into the ground and chase foolish …  (Contemplation can be brisk.)

Writing and lifestyle are interrelated, or so my ankle and heart told me.

In words my editor sent me (from Ephesians): Live a life worthy of the calling you have received.

In God I trust, while walking the walk.

If you want the longer form on my personal blog, click here to go to Sandra Nathan.net

I'm going to illustrate this blog post with a simple tale springing from ranch life. This is a true story, obviously, since those are photos. This is The Day Corcovado Learned to Load and Unload from a Trailer. Note that the horse is not freaking out, pitching a fit, or tramping his handlers. No, Corco is doing something more effective. He's adopted The Mule Stance. My mind follows Corco's example as I contemplate rewriting Mogollon.

A while ago, I wrote that I was going to blog about the rewrite, the re-vision, of my draft version of Mogollon, the sequel to my award winning book, Numenon.

That was weeks ago. In that time, we put a Kindle version of Numenon out for 99 cents. Sales went crazy, Numo hit # 1 in Mysticism, and then cruised near the top of the Religious Fiction category.

This was a problem.

Why? Because Numenon is the introduction to the series. It’s got every hook in the world in it to make people want the sequel. It ends with a bang and points the reader dead at  Mogollon, the rewrite of which we are discussing.

Numenon’s readers are already asking for the sequel; some are getting kinda grouchy about it. How long will my readers wait before dumping me entirely?

The book’s first and part of a  second draft is written. All I have to do is open my computer files and wail away, toiling for a really long time to get the manuscript cleaned up as well as I can. Then I have to go through the editorial and proofing process, necessitating months and months of hard work before a publishable version exists.

As owner of an Indie press,  after I do all the above, I get to manage the design and publication process, and then marketing and sales.

I  can’t open the manuscript’s files.  I’d rather do anything than think about the changes  I have to make. I’d as soon dismember my firstborn child as whack away at Mogollon.

DO YOU THINK I’VE GOT WRITERS’ BLOCK?

* * *

An undisclosed amount of time later and the guys have the task in hand. All they have to do is get Corco from where he is into the trailer. All I have to do is get Mogollon into print.

WHAT IS WRITERS’ BLOCK? Essentially, it’s psychological resistance. Usually it involves the writer’s ego: “My work is so important … The world needs my masterpiece. I can’t write. If I can’t write, I’ll die, and the world will be left without my words … What a tragedy.”

I realize that sounds judgmental and mindless of the pain of the condition, but remember that the blocked up person I’m talking about is me. I exhibit almost every causal attitude I’ll discuss below.

The desire to write the Great American (Latvian, Lithuanian, or Other) Novel can shut a writer down: “I have this HUGE idea. Can I possibly express it? Am I big enough? Good enough?” Hand wringing. Angst. Pain. It’s based on an inflated image of one’s importance in the Grand Scheme of Things.

If you regarded finishing your novel the way ranch people regard mucking out the stalls, would it be so hard? So wrenching? Would you stay awake nights because you couldn’t finish the job? No. When writing becomes a job of work, histrionics leave and you can get the thing done.

Writer’s block also can be associated with positive things. Sherman Alexie, the bestselling Native American author, reminds us that success can block you up good. How can you write when your last book was a national bestseller and your publisher is leaning on you for the new one? And grumbling about your contract and the advance you got for the three book deal?

Heart breaking, isn’t it?

Just plain fear is behind a lot of this. Can I do it? Can I bring it across? It’s the terror that arises when one faces in front of a blank screen or empty page. My eyes widen and I suppress a scream  . . .

Real progress: both front hooves are on the ramp. Corco continues to exhibit the Mule Stance. These photos were taken over several hours of intense human-equine power negotiation. Notice the carrot in Barry's hand. Sometimes positive reinforcement doesn't work. Also–Corco had a bath before these pictures were taken. His coat is wet from suds, not sweat. It's the guys who are sweating.

Laziness sometimes lurks behind the inability to finish a tale. Writing a novel is about the hardest kind of authoring imaginable. (Though I think a surgeon friend’s rewrite of his textbook on arthroscopic ankle surgery ranks up there)

You may begin your manuscript and discover that completing it requires the discipline to sit down and bang it out––to sit for days, months, and years. Despite your earth-shaking, sure to be a bestseller idea, your book won’t exist unless you write it down.

“It’s just too  hard … I can’t do it.” Another tragedy.

So you go to a writing group for support and stick around until you hear their feedback to your cherished production. Sometimes this can be bracing in a “pull up your socks” way, and sometimes it can shut down all creativity. Rough editors can do the same.

The rest of humanity, household pets, inanimate objects, and lousy viruses and bacteria can stop a writer’s progress. Life intrudes.

“Marge, there’s a truck in the living room. It just came through the wall.”

Call it resistance or an errant Mack truck, writer’s block is writer’s block. A cure exists. I have written about it: The Ultimate Cure for Writer’s Block. If you get what I say in this article, block will not trouble you, unless it wants to.

* * *

ON THE OTHER HAND, YOU MAY NOT BE ABLE TO FINISH YOUR MANUSCRIPT BECAUSE THE TIME ISN’T RIGHT. You and your book idea might not be cooked enough.

In a revolutionary move, Tony has PICKED UP CORCO'S HOOF and placed it further onto the ramp. Notice that nothing else has changed in the horse's stance. True resistance, perfectly executed. Well done, Corco!

THE PROCESS OF TEACHING CORCOVADO TO LOAD AND UNLOAD ILLUSTRATES THE LESSON IN THIS ARTICLE:

YOU CANNOT MAKE A 1,200 POUND ANIMAL DO ANYTHING. IT HAS TO WANT TO DO IT.

YOU CAN’T MAKE A WRITER SPIT OUT WORDS, EITHER.

WRITER’S BLOCK IS LIKE THE BERLIN WALL:  YOU CAN’T GO AROUND IT, OVER IT, OR UNDER IT AS LONG AS IT’S STANDING AND THE GATES ARE CLOSED.

RECALL THAT THE BERLIN WALL (which some of you may not remember) CAME DOWN WHEN THE TIME WAS RIGHT.

RESISTANCE IS LIKE THAT: It seems like a solid wall, but it’s got invisible cracks. As time passes, doors open, and close. Keep your eye on the wall, and go through when an opening appears. (That means write like crazy when you can.)

WHILE YOU’RE WAITING, DO SOMETHING ELSE.

THINGS TO DO WHILE WAITING FOR AN OPENING IN YOUR RESISTANCE:

READ. You can read all sorts of stuff, including my online magazine,  SPURS MAGAZINE. SPURS is about changing the world, or at least cleaning up some of its nasty bits. I named it SPURS because in life, sometimes you need spurs to get moving. I’ve been writing SPURS since the late 1990s and am about to unleash it in blog form, as soon as I get over my paralysis over rewriting Mogollon.

Advanced training technique: Tony waves his hat while Barry pulls on the lead rope. Corco remains unmoved. Some people resort to offering buckets of carrots and grain at this point. When that doesn't work, they escalate to use of two by fours and longe whips. Nasty. We don't do that. The inter species negotiation process intensifies as and the sun drops on the horizon …

SPURS’ WRITERS’ CORNER. Not only do I have a ‘zine, I’ve got a ‘zine for writers, dealing with topics that writers must manage or go insane. The WRITERS’ CORNER is one of the most popular locations on my web empire. (I’ve got 52 URLs, compadres.)

[Note: If you think Mogollon needs rewriting, SPURS' WRITERS' CORNER needs major surgery. Read it and know it's a draft. I'll rewrite it before I die. Or make it into a blog. Okay?]

SPURS’ WRITERS’ CORNER contains a bunch of articles relevant to writer’s block. These articles walk through the process of writing as experienced by me and many others. (Lots of references & links.) Please allow your browser time to open at the links.

• THE WRITER’S CORNER: INTRODUCTION
• HOW TO START WRITING: SIMPLE. HANDLE THE MESS IN FRONT OF YOU
• DO YOU HAVE TO SUFFER TO WRITE WELL? One of my favorites. Uses Kay Redfield Jamison MD’s writing on bipolar disorder and creativity.
• WRITERS’ TERROR AS OPPOSED TO BLOCK OR DOUBT Getting down to what writers’ really think and feel. You meet my writers’ group and learn how I felt as I wrote my first book.
• THE ULTIMATE CURE FOR WRITER’S BLOCK If this article doesn’t get through your Block, take up golf.

Tony and Barry attempt to FORCE Corco into the trailer. Barry is inside the trailer, pulling hard, while Tony applies muscle at the other end. Does it work? What do you think? You can no more force a horse into a trailer than your brain to kick out the right words. (Note: Do not do what you see above at home. What's shown in the above photo is extremely dangerous and very bad horsemanship. Corco could kill either man if he lunged forward or bolted backwards.)

TO DISTRACT YOURSELF WHEN YOU CAN’T WRITE,  YOU CAN ALSO CLEAN THE HOUSE, ROLLER SKATE, GO TO YOUR SHRINK, BLOG ABOUT YOUR BLOCK, ENTERTAIN YOUR FELLOW WRITERS, OR TAKE A NAP.

MOSTLY, CONTEMPLATE THE SITUATION UNTIL YOU REALIZE THE REAL REASON FOR YOUR BLOCKAGE/STOPPAGE.

WHAT WRITING THIS ARTICLE DID FOR ME WAS MAKE ME REALIZE THAT:

• I’m tired.
• I need a break.
• A real break where I do NOTHING, NADA, ZILCH.
• NO book marketing, planning the next move, scheduling book signings, reading blogs on marketing, sales, the latest Net techniques.
• Take the box of books out of the trunk of the car “just in case.”
  
• I need to stop doing what I’m doing and allow my personal process––my soul, if you will––to call the shots.
• When The Universe wants me to finish Mogollon, I will, and probably pronto.
  

[HERE'S AN EXERCISE: I throw them in all over Stepping Off the Edge, might as well here. Please jot down any images or thoughts that come to you while you read my list, and the rest of the article, including hops to Spurs' Writers' Corner and Spurs Magazine. Take some time and generate your own list of word blockers. Where are you in the process above? I'm not saying that you're worn out, either. Your situation reflects your writing style and process. You may need a kick in the rear.]

MY REAL PROBLEM IS: I’M POOPED.

I’m taking that break, goin’ to Santa Fe for three weeks. Santa Fe, New Mexico, is like catnip to me. Where we stay, there’s no Internet, no phone, no TV, no roads. Just wind and sky and a few snakes.

Tony leads Corcovado out of the trailer. Note how relaxed the horse is. He never had a problem going into or out of a trainer from this day forward.

WHAT DOES CORCO  SAY ABOUT THIS?

About a minute after the previous photo, Corcovado walked into the trailer easily and with no fuss. He’d decided that he wanted to.

When your soul/brain/heart/body/hands decide it’s time to write, you will. You’ll write good stuff, that deserves to see the light of day.

PS. If you liked this article, you will like my book Stepping Off the Edge. It has much more about living the writer’s life, success, triumph, despair, and JOY.

STEPPING OFF THE EDGE on KINDLE– 99 cents for a limited time!

NUMENON on KINDLE––99 cents for a limited time!

Hasta luego, amigos! I’ll write more later! I have a date with a dirt road and cactus.

Numenon, by Sandy Nathan, is a 2009 Nautilus Book Awards Silver Winner!

Sandy Nathan
Winner of the 2009 Silver Nautilus Award for Numenon
The Nautilus Awards are dedicated to “changing the world one book at a time.” The Nautilus Award was established to find and reward distinguished literary contributions to spiritual growth, conscious living, high-level wellness, green values, responsible leadership and positive social change.

By winning a Nautilus Silver Award with her book, Numenon,  author Sandy Nathan joins the ranks of  Deepak Chopra, M.D., Barbara Kingsolver, Thich Nnat Hanh, Jean Houston, PhD., Eckhart Tolle, and His Holiness the Dalai Lama. All are Nautilus Award winners.

Stepping Off the Edge is a wild ride to sacred places. Includes an exclusive interview with Bill Miller, award winning Native musician, artist, & speaker.

Now you can buy the Kindle edition of my award-winning book, Stepping Off the Edge , for 99 cents! The book is offered at this great price for a limited time only. Click here and go to the Kindle store.

The Kindle edition of Stepping Off the Edge is absolutely gorgeous: The Native American themed interior and cover converted to the Kindle format better than I hoped. All of my pen and ink drawings are included and look beautiful.

This is the book that proves spiritual studies do not have to be boring. Stepping Off the Edge is part memoir, part self help, part riding lesson (horses play a big part), and all amazing.

This book was written during a period of my life that I’m glad is over. Though it provided great material and a way of illustrating everything useful I learned earning two master’s degrees and a life of spiritual practice.

Join me as I find my roots in Missouri’s Ozarks, travel to Tennessee to a Native American retreat, and meet Bill Miller, multi-Grammy winning musician and artist. Lots more, including the meaning of the word “fault” to people from California.

STEPPING OFF THE EDGE WON SIX NATIONAL AWARDS!
* 2007 Benjamin Franklin Award Finalist in New Age (Spirituality/Metaphysics)
* Bronze Medal Winner in Self Help, 2007 IPPY Awards
* National Indie Excellence Awards 2007: Finalist in THREE Categories: Memoir, Self Help, & Spirituality.

FROM THE BACK OF THE BOOK:
When Sandy Nathan set out to write a book about her profound experience at the Gathering, a Native American spiritual retreat, little did she know it would guide her to chronicle a life of stepping off the edge. Again and again , she takes the risks needed for her soul’s growth and vividly presents her personal journey––one of growing into the courageous spiritual being she is. Sandy reminds us we all possess spiritual greatness: It is our birthright.

By walking with Sandy along her path we get more than a glimpse of a person. We get a revealing and inspiring view of her life. Her adventure and the understanding she adds as she writes help us use her experience to enhance out own development. This book does much more than tell about a life: It takes us by the hand (or sometimes by the nose) and leads us to the opportunity afforded by spiritual practice. And practice is the key word.

Stepping Off the Edge is alive with information and inspiration. It is a book about doing. It’s more than a book that describes chocolate cake or even one that tells you how to make chocolate cake. It is a book that gets your mouth watering for chocolate cake and then lets you loose in the kitchen stocked with recipes and everything you need to make your own chocolate cake. With fudge frosting. And chocolate chips if you want them.

In this fascinating narrative you will encounter the basics of prayer, meditation, worship, spiritual retreat, and how a life can become dedicated to the pursuit of experiencing the divine. You will even find how to domesticate your mind and make it an ally in your quest for inner knowledge.

It is said that the path to self-awareness is a solitary one. Stepping Off the Edge opens you to the possibility that it can be fun, challenging and rewarding.

Sandy Nathan & Bill Miller at the Gathering Book Signing

WHAT DO THE CRITICS SAY?

“This is a dynamic book. It’s alive with Ms. Nathan’s passion, and her presence is in every line, teaching and learning with you, helping you when you stumble, because she’s stumbled too. It’s rich with energy and meaning.”
- Gerald DiPego, Screenwriter, Phenomenon

“Sandy’s book has got to be one of the most fun to read books about spirituality ever written. She takes the reader along on her adventures with a down to earth approach and style that keeps the reader in touch–with both reality and spirituality. Informative, entertaining, and enlightening.”
Natural Horse Magazine, Volume 8 Issue 5

"It May Be Forever" Cover by Lewis Agrell. I love this cover!

Most of the book contests, like the Benjamin Franklin Awards, IPPYs, Indie Excellence, and all the rest, are closed for the year. The books have been submitted and they’re being judged. Will your book win? Two factors have a very large weight in determining whether you walk away a winner––or get passed up: Your COVER and your TITLE. Today we’re going to talk about book cover design. While it may be late if you’ve got books in competitions this year, you can use what follows for future years.

I’m very pleased to introduce my second guest blogger, Lewis Agrell of The Agrell Group. Lewis and I go back years. He designed promotional materials for my first book, Stepping Off the Edge. I loved what he did and called on him to do the same for Numenon. Lewis designed a one-sheet for Numenon, book marks, and a gorgeous over-sized post card. He also designed the e-book that I’ve been giving out to those who sign up for my email newsletter. And his wife, Kathryn, edited it. What a team!

I think this blog is going to be known as the “get deep into the psychological underpinnings of writing & publication” blog. Irene Watson of Reader Views introduced us to Jungian personality type. I added a bit, and now Lewis is going to introduce concepts that I learned originally in graduate school in counseling.

Knowing these concepts is very important: They’re operating in your buyers’ minds and souls (and yours) whether you know it or not. Better to know it. But don’t worry! Lewis Agrell makes them user friendly!

Lewis has been kind enough to let me illustrate the blog post with some of his covers. And now, here’s Lewis Agrell on book cover design:

WHAT MAKES A GOOD BOOK COVER DESIGN?

In my estimation, the best covers are the ones that are the most beautiful. Billions of dollars are spent every year in advertising, fashion and manufacturing to infuse more and more beauty. Why? Because beauty attracts the eye. That’s why the most beautiful models, actresses, cars, houses and boats cost the most  money. Beauty is a precious, treasured commodity. Beauty has specific qualities. These qualities are harmony, balance, unity, synthesis, and refinement. Designers struggle to make the colors and design elements (fonts, photos, illustrations, and other graphic elements) work in such a way that the greatest beauty is attained.

KILLROD The Cross of Lorraine Murders. Cover by Lewis Agrell. Simple, elegant, & beautiful design employing archetypes––the cross and circle, which also looks like a moon. Love this, too.

Attributes of the Designer

Why are some designers better than others? This is not a simple question to answer. Designers must be trained in the basics of graphic design, particularly color theory. The other qualities that are necessary are:

1. Experience (it helps to have tried many different approaches to design work, and learned what does, and does not, work)
2. Intelligence—reading as much as possible about the industry is very helpful, because it is important to stay current, not only with the latest design movements and techniques, but also the tools of the trade (computers and software).
3. Worldly awareness: it helps to know what is going on in the world, because world events are often reflected in design work. Witness particularly the dynamics of the sixties and the seventies, when many social shifts occurred. Designers and illustrators exploded with new ways of working, as a reflection of the dynamism of the period.
4. Sensitivity. A designer must be sensitive to the material with which he/she is working, as well as to the needs, desires, and expectations of the client.

“As he thinketh…so is he”

An individual’s consciousness can vary tremendously. Wherever a person places the bulk of his attention will indicate the level of awareness. People are generally focused either physically, emotionally, or mentally. It is best for a designer to have as high an awareness level as possible.

Why is this critical?  Because a designer, or any creative person, cannot create beyond his or her level of awareness. When a high level of awareness is attained, that individual also has a connection to the lower levels, having passed through them, at some point in his or her maturation.

For example, a designer who is entirely focused on the physical realm, would not do well with a project focused on matters of the heart. A designer who is swept up in the world of emotions, would not do well with a project that has deep philosophical leanings.

In the mental realm, there are three areas of focus:

• The lowest is the subconscious. Designers focused on this level create work that is very dark and mysterious—perhaps even very ugly and horrifying—and certainly distorted and misshapen. The primary color in their palette is black.
• The next mental level is that of the concrete mind. This is the realm of logic and reasoning. This is the area of scientists and mathematicians. The design solution from an artist focused on this level will be very balanced and harmonious. The Golden Ratio, or Divine Proportion (approximately 1.618) might be very important for a designer on this level of consciousness. Someone who has a mental focus labors very carefully to determine a proper approach, utilizing logic, reasoning and analysis.
• The highest level is known as the superconscious. In this level, symbolism is very important to the designer. Also, the designer will use a palette of very bright, cheerful, and uplifting colors. The keys to identifying designers who work on this level are a) their work reflects a wide variety of creativity or understanding; and b) they generally “know” immediately what the best solution will be for various projects. The “Eureka!” moment is very common for these designers. They will usually have a vivid mental image in mind before a person finishes explaining a concept to them. They think very quickly.

Many designers specialize in one particular area. This is because they have a strong physical, emotional, or mental strength, and design in that area.

"The Money Belt" This is not a "grunge" cover. Great for mass market book. I love this cover: clean, catchy, powerful. Does the job!

The “grunge” look

If beauty is so important, why is there a “grunge” movement? The reason for this may be a temporary backlash to the “perfection” that can be created by computers. A world saturated with the unwavering perfection that computers are capable of creating can become a bit maddening to designers who like to put a more human touch to their work, so designers are fighting against the coldness of computers with “grungy” designs—those that appear as though they are not created from the computer, even thought the computer remains an indispensable tool for production.

This will become overused and will be rejected in time, in the same way that the psychedelic look passed away at some point in the early seventies. Great beauty will always be the sine qua non for designers. Deviations from beauty are only a temporary stylistic meandering. For example, ugliness will never gain a foothold in auto manufacturing because of the importance of high volume sales. When one particular car was created that people thought was not beautiful (the Edsel, 1958), the car sales were dismal. Car manufacturers don’t want a repeat of that noted failure.

What catches the eye besides beauty? Newness and uniqueness. An example of this is reflected in the story of the designer who needed to create a new cereal box to be displayed in grocery stores. He saw that all of the boxes had bright, vibrant colors. So, what did he chose to do? He created a cereal box that was mostly white. This “non-color” stood out from the rest of the boxes on the shelves, gaining that valuable eye-catching quality.

"Mediterranean Madness" Cover by Lewis Agrell. In a genre cover, the designer must give readers what they expect. Wow, and good design.

Genre design

There are genres of books that have a “standard look,” that the buyer expects to see, for example, romance novels. All purchasers of romance novels want to see an image of a very strong, handsome, romantic yet masculine man embracing a beautiful woman on the cover of the book. To deviate from this “formula” is to risk loss of sales.

The same is true with fantasy novels. The buyers want to see a careful rendering of a dragon, or some such fanciful creature. Wouldn’t it be odd to see a biography without a painting or photo of the person about whom the book was written? The challenge for the designer, when dealing with these genres, is not a simple one. He/she must create something similar, yet unique and powerful.

How to pick a designer for your book

The easiest way is to examine the designer’s website and see if there is a style that is similar to what you imagine for your book. If you like what the designer has done, but don’t see something that you are looking for, simply send an email to the designer and ask if he/she has done anything similar to what you have in mind. Very often, the designer will have work that is not on the website.

If you still have doubts about the artist’s ability to create what you want, you can always hire the artist to do a concept sketch. If you are less than happy with the concept sketch, you can then either ask for another sketch, listing your desires, or you can thank the designer for his work (be sure to send a check for the hard work!) and then move on to another designer.

Designing your own cover

Don’t do it. That’s my answer to all writers who want to design their own cover. You have put a lot of energy into your book. You want the cover to reflect as much energy and power as your carefully groomed text. The person who can provide that energy and power is someone who is trained in graphic design.

Graphic designers have spent years, or decades, perfecting their art.Keep in mind that they spend eight hours a day, five days (or more) a week, twelve months a year, year in and year out, working to perfect their craft. They have tried and failed, so they know what doesn’t work. They have succeeded, and their work has been tested in the marketplace.

Simply put, they know what they are doing.

You wouldn’t rewire own your house yourself; you’d hire a professional electrician. The same goes for book cover design: Hire a professional. Sure, it can be expensive, but the extra “oomph” that you get in the professional design may translate into an increase in the number of books sold, simply because people are attracted to and impressed with the cover design! To sell the most books, save your pennies and hire the best graphic designer that you can afford. You’ll be grateful that you did when you see the results.

Please, don’t take my word for it. Talk to authors who have used professional designers to create their covers. You might be surprised by what they say.

"No Sisters Sisters Club", an engaging cover for a Young Adult book.

Lewis Agrell has been an award-winning professional designer and illustrator for thirty years. He worked as the Chief Artist for the New York Times Company at its largest regional newspaper for ten years. He and his wife, Kathryn (a writer/editor) are the principal owners of The Agrell Group, a graphic design/creative writing firm, located in Prescott, Arizona. To contact them: Lagrell@commspeed.net or Kagrell@commspeed.net   Phone: 928.445.7038.

From Sandy Nathan: It’s been a privilege to share Lewis’s thoughts and words with you. Here’s a surprise. You may think that book covers of this quality must be very expensive. Not so. Lewis’s covers––front, back, spine––usually run between $500 and $1,200. You may want to consider him for your next book.

"Shades of Truth" A provocative one piece cover for a mass market book.

With horses, you win the minute you walk into the arena. This is a Matched Pairs Class at the La Bahia Peruvian Horse Show in Watsonville, CA. My husband and I are riding horses that are full brothers––same mom & pop. Except for the extra chrome (white markings) on Azteca, these horses pass for identical. The judge told us after the class, "You won that class the minute you walked into the arena." Your book will win or lose the same way.

Most of the 2009 book contests are closed. The books are and supporting materials are in. The judging is on. The contestants hyperventilate as the countdown continues. Will they be finalists? Actually win?

A nice thing about book contests is that you are an award winner even if you’re “just” a finalist. In the same way that Academy Award nominees get to say, “Academy Award nominee Snelda Grottie” forever, you can say Benjamin Franklin Award Finalist. Being a finalist counts as an award!

I’ve got my book, Numenon: A Tale of Mysticism & Money, in five contests. I’m about to freak out. Should I have entered it in different categories than the ones I entered? Where’s the receipt from that very prestigious competition I took a chance on? I did enter it, didn’t I?

The anxiety will continue for the contestants until the finalists are notified. And longer, until the winner is announced––often at Book Expo America, the largest  book publishing event in North America. This year, BEA is May 28 to 31 in NYC.

It’s a little late for an article about setting your book up to win in 2009 book contests, but I’ve got to do something to fill the time.

I’M SANDY NATHAN. So far, I’ve won eight national awards for my two books. I’ll post a list of my wins at the end of this article.

Less well known is the fact that I also have experience as a book contest judge. My writerly credentials, contest wins, and the fact that I graded papers at Stanford’s Graduate School of Business for 18 spring quarters make me an ideal candidate for judging.

I love it, truly. Brings back memories. I used to work for a top rated Stanford professor along with a jaded team of other smart people. Every year, he gave each of us a FOUR FOOT TALL stack of academic papers to grade OVER THE WEEKEND. Brutal.

I got really good at separating fluff from substance. Fast.  The books presented to me to judge remind me of those wonderful days of the nonstop pursuit of achievement, which I have not left behind.

HOW CAN YOU WIN A BOOK CONTEST?

If you win a book contest, chances are you already know how to win it. Here’s a story: When the Publisher’s Marketing Association (now the Independent Book Publishers’ Association) notified me that my book, Stepping Off the Edge, was a finalist in the 2007 Benjamin Franklin Awards in the New Age/Spirituality category, I boo-hooed. They choose only 3 finalists per category nationwide, one of which would be the winner. This was the first contest I’d entered. My first book.

“Oh, I can’t believe it. I’m so excited. Oh, my God. I’m so grateful. One out of three finalists! I can’t believe it. This is so wonderful!” I walked around our ranch emoting tearfully. Then something happened.

The overarching category of my writing is spiritually––which is based on spiritual or religious experience. That’s because I have spiritual experiences and have had them all my life. In the cacophony of my inner dialogue, one voice stands out. It’s calm, clear, unaffected, and never wrong. I think of it as God. This voice spoke:

“What’s the big deal, Sandy? You’ve been a straight A student most of your life. Why shouldn’t you win? You know what went into that book.” There was a pause and more communication. “Don’t you trust Me to reward you? To notice that you’ve done a good job? Don’t you think I care about you?”

Oops. My tearful gratitude had the smell of a contestant on a TV quiz show flipping out over winning a new refrigerator. It was an unnecessary display of ego and self importance, which also pointed to my lack of faith.

So let’s leave that behind and talk about how to win.

The key is: If you win a book contest, you already know how to set up a winner. It’s a job of work, like mucking out stalls at our ranch.

Just like winning a horse show class.  You win the instant you ride into the arena on a winning horse. Similarly, you win in a book contest the instant the judge looks at the array of books he or she has to judge. Your book has to leap out of the stack of ho-hum contenders and SING. Also tap dance.

HOW DO YOU DO THIS? WITH YOUR BOOK!

1.  HARDBACKS SHOW UP BETTER. You’re a judge.  Thirty or forty books are sitting on a table. You won’t read all of them. You see well-designed hardback with a killer cover. Your eyes and hands gravitate to it. Wow. It’s beautiful. Paper even feels classy. You put the book in the “keeper” pile. Hardbacks have more weight in competition.

Numenon: A Tale of Mysticism & Money. Your cover should hook the viewers' archetypes: The symbol in the middle of my cover is based on the photo of a Shiva Nataraj I own. Not only is the circle an archetype of wholeness, Shiva is revered all over the world. Including by me. Note the high contrast and predominately black cover. This design will dominate pretty near anything.

2. YOUR TITLE AND COVER will make you win or sink you. Do you know how to judge a cover? Lewis Agrell of The Agrell Group, will be a guest blogger with his terrific article on what makes a winning book cover. I’ll post it soon.

For now, let’s rely on phone book ads. Open the yellow page ads in any phone book. Scan the page quickly. Where do your eyes land? Note the ad. Do it again on another page, and another.

In all probability, the ad that draws your attention is SIMPLE. UNCLUTTERED. EITHER BLACK, WHITE, OR MOSTLY EMPTY. The ads that grab your eyeballs and hold them have attained PAGE  DOMINANCE. People hire consultants to create dominant ads for them.

Now go to a book store sale table and look at the books. Which books grab your eyes? Which do you pick up? Buy? A book contest is like that table. Clear, bold, design that dominates the competition will win.

YOUR COVER MUST HAVE AN EMOTIONAL HOOK. THINK ARCHETYPES. Primal images. Something that grabs the inner psychology of your reader/judge.

To win and much more importantly, to be purchased, your book cover AND SPINE must dominate any table and any bookshelf.

3. YOUR TITLE IS REALLY, REALLY IMPORTANT. First off, your title embodies your book’s essence. It is the first word or words the reader sees. It should be engaging, easy to read, evocative, and compelling––it should set the emotional tone for your book. As should the SUBTITLE or TAG LINE (THE ONE LINE DESCRIPTION BELOW THE TITLE.) Also, most of the big catalogs of books will list your book by its TITLE ONLY. Better be memorable. Like Twilight.

4. THE WORDS ON YOUR COVER, FLAPS, AND FIRST FEW PAGES OF YOUR BOOK, YOUR BOOK’S COPY, SHOULD BE UNFORGETTABLE. These words are your prime real estate and are what will make your book succeed. The book contest judge, book store owner, and your buyer will make a decision about your book based on these words––in seconds. You want emotional hooks, ease of reading, and enchantment in these places.

Writing copy is a skill. You can write text like an angel and not be able to pump out a winning tag line. I’ve got an Emmy-nominated screenwriter Laren Bright, the best copy writer I know, preparing an article for this blog. He’ll tell you how to do it.

I say: Hire it done if you can possibly afford it. Copy writing is like writing poetry: You need to be able to produce succinct messages packed with meaning and emotional associations in a tight space.

5. BOOK DESIGN, INTERIOR & EXTERIOR: YOUR BOOK SHOULD LOOK LIKE RANDOM HOUSE PRODUCED IT. NO LESS. We’ve talked about the cover, title, and copy. Every page and every word should be as well designed as your cover. Go to a book store and look at best selling books. Get a copy of the Chicago Manual of Style and memorize the order of pages in a book.

A very important thing to note: NEVER HAVE YOUR TITLE PAGE ON THE LEFT. DO NOT DO THAT. Do your homework. Know the proper order of pages in a book. Know what a half title page is and where it goes. The contest judge will know all about this.

6. SELF PUBLISHING, SMALL PRESSES, THE MAJORS: Some contests are specifically for self published books, by that I mean books put out by the big POD printers like lulu.com, iUniverse, Outskirts Press, BookSurge and the rest. If this is your competition, let your lulu imprint show.

If you’re in open competition, hide it. Some people have real prejudices against self-published books. There’s not as much of a prejudice against author-owned small presses––after all, Benjamin Franklin did it. So did Mark Twain, DH Lawrence and tons of big literary names. If you own and operate a small press, that puts you in a different category, even if your book was printed by CreateSpace or Outskirts Press. Just make sure that nothing about the mass producers shows.

If you take this approach, create a killer logo and press name, and have the book professionally designed and produced, you’ll be in good shape to compete in contests.

I have no prejudice against self-published books. I have a real bone to pick with poorly produced self-published books whose authors don’t respect me––the buying customer and reader––enough to get the thing professionally edited and proofed before offering it for sale. Or stick it in my face and expect me to judge it.

DO NOT PUT YOUR BOOK UP FOR SALE UNTIL IT IS TOP QUALITY IN EVERY WAY. YOU ARE CHEATING YOUR READERS WHEN YOU OFFER SLOPPY WORK.

7. PROFESSIONAL PRODUCTION: The book contest judge may not have time to read all of your book, but he or she will sure sample pages and text. Typos, lousy interior and exterior design, cheap paper, all of it pops out. Hire an editor, copy editor and proofreader. Hire a book designer. Believe it or not, they’re not all super expensive. Look at my blog roll. Some great professionals are listed there.

TEMPLATES: Many of the big POD publishers offer templates for book interiors. These don’t show up well in contests. The text is set too tight, and the margins too small. There’s not enough variety in the overall design. In contests, judges see many books with very similar, standard interiors. If your book is one of thirty in a category, or one of THREE HUNDRED, it has to stand out. Templates won’t do it.

8. PERIPHERALS: YOUR WEB SITE, STATIONERY, & PRESS KIT. You did include those with your entry, didn’t you? I assure you, the winners did. The book contest judges are very likely to check your website, especially if you make it through enough of the hoops to stay in “the good pile” to the end. The “ad-ons” are breakers.

Two books might be ranked about the same, but if one author has an amazing web site and hosts a blog with a bazillion visitors a day providing a vital services to the world––who do you think will win? Ditto if on author provides copies of his book’s terrific reviews, testimonials, and advertising materials in a lovely custom folder. Which book will win?

Oh, yeah. What about the VIDEO FOR YOUR BOOK? Is that linked prominently on your site? Mentioned in your press kit?

9. THE BOOK, AS IN––WHAT’S BETWEEN THE COVERS? In your writing group, you concentrate on the writers’ skills and arts. Word by word, you construct and deconstruct and reconstruct your masterpiece. Ditto working with your editor. Your write, rewrite, have it slashed and burned, and make it rise again. You struggle to express exactly what you want, worry about pacing and plot and characters.

I was in two writing groups for a total of eleven years. I’ve worked with maybe six or seven good, tough editors. The content of your book matters, especially if you want it to sell. If you want word of mouth to propel it. If you want to read it yourself in future years and not be embarrassed by it.

The contest judge or panel of judges isn’t going to read all of your book. They’ll sample it and look at different aspects of it.

Does that mean you can skip the 11 years of writing groups and all those creative writing classes? No. Whatever random page a judge’s eyes fall upon will produce an impression. All the pages have to be good, since you don’t know which one will be read. Know what terms relating to race, ethnicity, or sexual preference are OK to use in modern literary and cultural circles. Get it right.

The curious thing is: Most people writing in academic settings concentrate solely on the quality of their manuscripts. They don’t look at any of the other points noted here, any of which can destroy their chances of winning a book contest or selling. That’s because in the major creative writing and MFA programs, people assume that they will be published by the major publishers.

They haven’t had direct experience of the realities of the publishing industry. Such students often have no idea that to succeed, they may have to set up a small press and learn to do things they never were taught in school. Academic programs may not talk about the recession and cut-backs and literary agents being laid off, either.

The real world can be a big surprise, even if you got your MFA from Iowa.

Producing a book that wins contests is a big job requiring a commitment of time and money. It doesn’t have to be a HUGE commitment of money, but its going to cost something. Before you enter a contest, you should know what you’re up against.

Some of the awards won by Rancho Vilasa. A few of these are my wins. The real victory that comes from athletic competition is a winning of soul, which is transferable to other endeavors. If you can show a horse and win, you can do anything.

To win in a horse show, you need a horse that grabs the judge’s eye the instant he enters the arena. He needs the stamina to look good at the end of a grueling class. For book contest, you need a book that’s set up to win from one end of the judging process to the other. And then into the marketing arena.

That’s it, folks! Happy competing!

Sandy Nathan, award winning author of Numenon & Stepping Off the Edge. I’m a bit burnt out writing about winning. Here are some links to what I’ve won in book contests:

• Numenon: A Tale of Mysticism & Money
• Stepping Off the Edge: Learning & Living Spiritual Practice.

Numenon: A Tale of Mysticism & Money

The Kindle version of Numenon: A Tale of Mysticism & Mystery is available and priced at an unbelievable 99 cents!

Here’s a link to Numenon on the Amazon Kindle Store!

Am I crazy? Like a fox! When I last looked, Numenon was #8 in Religious Fiction (closing on The Shack), and #1 in Mysticism in two categories of Religion & Spirituality. JOIN THE STAMPEDE!

Buy the Kindle version of Numenon, and you can enter the world of Will Duane, the richest man on earth, and Grandfather, a great Native shaman, in less then a 60 seconds. Numenon won two national awards as an Advance Reading Copy. It’s entered in more contests. We’re waiting for results.

Here it is on my web site: Numenon on SandyNathan.com

Here it is as a print book on Amazon. Look at those Five Star Reviews.

Check out this video: